Setting
The back yard of the Keller home in the outskirts of an American town. August of our era. 1947 circa. Sunday morning …
Synopsis
Joe Keller, the patriarch in All My Sons, desperately wants to secure and maintain the financial security and legacy he spent so many years building, ready to hand it down to his surviving son Chris. At the same time, Joe’s wife Kate is still waiting for their eldest son Larry to return from war, determined that he is alive and will marry the former girl-next-door, Ann –the daughter of Joe’s former business partner who is sitting in prison, punished for Joe’s crimes. To complicate this family drama, Chris and Ann are in love and want to get married. In All My Sons, Arthur Miller creates a post-war American family in a tragic downfall of lies, greed, love, and loss, and demands its audience examine their own social responsibilities to all the sons of American wars.
Cast
| Joe Keller | Richard Hurst |
| Kate Keller | Rachel O’Connor |
| Chris Keller | Troy Devaney |
| Ann Deever | Deirdre Ferguson |
| George Deever | Terence McEneaney |
| Jim Bayliss | Tony Liston |
| Sue Bayliss | Ailis McIntyre |
| Frank Lubey | Ronan Drummond |
| Lydia Lubey | Audrey Davitt |
| Bert | John McHugh |
Crew
| Director | Trish Keane |
| Assistant Director | Carl Duggan |
| Continuity | Linda Ritchie |
| Sound | Seán O’Connor |
| Lighting | Chris Dykes |
| Shane Patterson | |
| Costumes | Rachel O’Connor |
| Set Design | Trish Keane |
| Set Construction | Paul McGonigle |
| John Travers | |
| Aiden McGuinness | |
| Seán O’Connor | |
| Carl Duggan | |
| Rachel O’Connor | |
| Mark Kirby | |
| Kieran Breslin | |
| Parental Control | Karen Skelly |
